Video 1, June 4-8 with Mary Ellen Strom

If you’ve ever wanted to try your hand at video-making, or want to jump-start a project, this summer SMFA is offering the rare opportunity to take a week-long intensive class with faculty member Mary Ellen Strom. Video 1, offered June 4-8, covers the mechanics of video production, including audio recording, HD camera video operation, editing and composition. You’ll spend each day in hands-on instruction, and will leave with a project that is tailored to your individual interest, be it short form narrative, video art or documentary.

An SMFA faculty member since 1998, Mary Ellen Strom has exhibited nationally and internationally, and has just been awarded an International Fulbright Scholarship for a video project on the Sonora, Mexico and Arizona border.  Says Strom, “This class allows us to open up this unique department to the larger community, to include those outside of the professional art world, who bring their own bodies of knowledge to their projects. What comes out of this exchange is always so varied and rich.”

Read more about this class, and other intensive summer courses and workshops: http://www.smfa.edu/ce-summer

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Sidewalk Sale May 11+12, 10 am-5 pm

SMFA’s annual sidewalk sale is coming up at the end of this week, Friday, May 11 and Saturday, May 12. Museum Road will be lined with tables full of student artwork (more than 70 students participating so far!), everything from prints and photographs to jewelry, ceramics and t-shirts. The  proceeds go directly to the artist and a charity of the students’ choosing. This year, it’s Mobius, a non-profit, artist-run organization whose mission is to generate, shape and test experimental art.

This is a great way to see what students are working on, and to purchase directly from the artist.

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MFA candidate Amy Mae Flaherty wins fellowship to Skowhegan

Amy Mae Flaherty, Grand Baby Brother, 2011. Original family photo, painted baby cutouts, performance.

Congratulations to Amy Mae Flaherty, graduating from the MFA program in May, on winning the Ann and Graham Gund Fellowship to attend the 2012 Skowhegan Summer Studio Program. Amy is one of only 65 participants attending this intensive nine-week residency program, which is designed to create a stimulating and rigorous environment for a small group of dedicated and gifted artists.

Amy’s work, currently on view in the MFA Thesis Exhibition at Tufts University Art Gallery, manipulates original family photographs through performance and mixed media, portraying her mother and recreating the original photos. Amy is “excited to join the program at Skowhegan and learn more about [her] art practice through [her] interactions with the people there” and will follow the program with another residency at Elsewhere in Greensboro, North Carolina.

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Faculty member Jane Gillooly wins Guggenheim Fellowship

Jane Gillooly, Suitcase of Love and Shame, 2012. Film stills.

Congratulations to Film + Animation faculty member Jane Gillooly for her 2012–2013 Guggenheim Fellowship. The Fellowship, awarded in recognition of an exceptional creative ability in the arts, will allow Gillooly to focus on her current film project, “Suitcase of Love and Shame.” A non-fiction work, “Suitcase of Love and Shame” is sourced from an audio diary discovered in a suitcase purchased on eBay. Part historical documentary and part experimental narrative, the film uses these reel-to-reel audio tapes to reconstruct a narrative of a Midwestern woman and her lover and critically examine a moment in time in 1960s America.

Gillooly has taught at SMFA for over 20 years; her previous films include “Today the Hawk Takes One Chick” (2008) and “Leona’s Sister Gerri” (1995).

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SMFA curated page now on Kickstarter

SMFA’s 2011-2012 Graduate Entrepreneurial Fellow, Mark Modzelewski, initiated a partnership with the popular fundraising site Kickstarter. We caught up with him to ask him about his fellowship, Kickstarter and his own Kickstarter project:

What is your fellowship about?

After I finished art school as an undergrad I took a bit of a detour into law, politics and business. Among other things, I was involved with starting a few companies. When I came back to school last year, I was discussing ways in which SMFA could help educate students more as to their creative career options, working on their financial health and ensuring they aren’t starving artists, but ones that eat and live well. So I was asked by the powers that be to work with Catherine Tutter and the ARC on creating a program that did just that—the Creative Futures program.

Along the way I  applied to grad school here, and after getting in was asked to become a fellow to continue to work on the Creative Futures effort and other projects that encourage art and entrepreneurship.

Why do you think it’s important for SMFA to have its own curated page on Kickstarter?

So much of what is happening in the art world these days is a movement away from the traditional grant and museum/gallery world for funding and developing projects. Kickstarter has become a powerful tool that offers artists a new way to realize their vision. SMFA having a curated page lets the students, instructors and alumni find literally millions of new sponsors and buyers for their work.

Tell us about your project!

My own project on Kickstarter is a rather ambitious one. It’s looking to raise quite a bit of funding in order to grow a museum of contemporary art. For this project, I will plant a field of wheat that will be harvested, turned into strawbales—a safe, green and proven construction material—that will be used to build a museum of contemporary art. The field that supplies the wheat will in turn become the grounds for the museum. Phase One of the project will result in 1,500–1,750 square feet of gallery/performance space for the exhibition of cutting edge contemporary visual artists from across the world, as well as dance, performance, music and other culturally-enriching activities.

The museum itself will be a work of art, a conceptual piece that will grow—literally and figuratively—from the fields where it is planted and become a showcase for emerging artists and cultural development. The ultimate goal is a facility with a permanent and revolving collection of art of the moment in a post-post-modern world.

Over time the facilities will allow for summer performance, residencies and community education in the arts. The museum will also have robust online presence allowing for all shows, lectures and performance to be viewed in depth over the internet and have works designed specifically for online viewing.

You can read more about it at:

http://www.kickstarter.com/projects/fmarek/growing-a-museum

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“WONDER CHANNEL” exhibition April 3-4, 2012

Ali White, Prometheus 2.0, 2012. Video still.

“Wonder Channel” is a two-day group exhibition of new video work from students in SMFA’s Advanced Digital Imaging for Video + Installation course, taught by Mary Ellen Strom.

Examining the overabundance of stimuli present in today’s culture, “WONDER CHANNEL” serves up fourteen unique perspectives in video format—if you’re local, don’t miss it—it’s a great chance to see the high caliber of work from advanced video students.

Exhibiting artists include: Cindy Sherman Bishop, Amanda Bonaiuto, David Flicker Brown, Jeremy Cimafonte, Bug Davidson, Jill Fisher, Kate Gilbert, Jasmine Higbee, Nyle Genevieve, Kim Kaliski, Tim Mearini, Stephen St. Francis Decky, K. Tyler, Ali White and Sam White.

Exhibition dates: Tuesday and Wednesday, April 3–4, 2012, 12–6 pm
Opening reception: Tuesday, April 3, 6–8 pm
Location: 132 Brookline Ave., Boston, MA (near Fenway Station, MBTA ­­Green Line)

Visit http://vimeo.com/wonderchannel to learn more about the artists and view video clips.

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MIT MBA + SMFA MFA

While SMFA students were away last week for spring break, there was still bustling creativity in the air and in the studios. The two-day MIT Sloan MBA/SMFA MFA studio workshops and seminars were in session; a collaboration that began in 2006 as a forum for dialogue between MIT’s Sloan School of Business MBA students and SMFA’s MFA students. The intensive, hands-on experience combines artmaking with business training to stimulate new and creative communication, problem solving and teamwork skills. The workshops include a seminar component to re-vision 21st century art business models. The workshop closes with student teams giving a presentation on one of three “art business” topics: the 21st century gallery model, the 21st century museum, and public art in the 21st century. At first glance, one may think that there is not much in common between MFA and MBA students, but as the success and popularity of this workshop proves, each can bring a freshness of perspective and a jolt of inspiration.

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SMFA + Edinburgh College of Art

"TransAtlantic Fun.O.Pack," on view in the SMFA library and outside the screenprinting room.

 

Sometimes disaster spawns creativity, and in this case, a collaborative project and exhibition. In January 2010, a blizzard stranded Print + Paper faculty member John Schulz at Heathrow airport for three days en route to participate in a group exhibition at the Glasgow Print Studio. He returned home without having left the airport, but, armed with a return ticket and travel vouchers, was able to travel to Edinburgh, Scotland in the fall. At the Edinburgh College of Art (ECA), Schulz and ECA Drawing + Painting faculty member John Brown hatched a plan for an international student/faculty exchange project, which became the “TransAtlantic Fun•O•Pack.” Based in part on Marcel Duchamp’s Box in a Valise, participants were invited to create two identical works-in-a-box reflecting their current studio practice. One box of each pair from SMFA was sent to ECA, and one box from ECA was sent to SMFA, resulting in each school possessing a complete set. Open to faculty, graduates and undergraduates in multiple disciplines, the call for work resulted in 105 objects (x2). While John Schulz might be less than thrilled with his Heathrow experience, the rest of us are certainly appreciative of the results. “TransAtlantic Fun•O•Pack” is currently on view simultaneously at both ECA and SMFA.

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SMFA students exhibit at the Howard Art Project

Pawel Przewlocki, YOU COMPLETE ME, 2012. Vinyl on mirror.

Pawel Przewlocki, YOU COMPLETE ME, 2012. Vinyl on mirror.

“Fields Corner: And, Nor, Yet,” opening on Friday, March 9, features nine SMFA students in the Painting area’s Intermediate Studio Seminar. Danielle Norris, Pawel Przewlocki, Maddy Ahlborn, Tracey Bullington, Nicole Peters, Morgan Mannino, Ada Goldfeld, Cole Bourgeois and Francesca Ulivi created pieces in response to the historical area of Fields Corner, one of Boston’s largest and most diverse business districts.

Opening reception: Friday, March 9, 6-9 pm
On view Saturday, May 10, 12-6 pm, by appointment through March 13

Read more…

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New SMFA series: Library Sounds

What happens when a library isn’t quiet? Last summer, SMFA’s librarian, Darin Murphy, was intrigued when a loud, room-saturating sound performance was followed by thunderous applause and then, immediately, whispers and hushed tones. He and an SMFA Admissions representative, Thomas Duncan, wondered: are people more sensitive to sounds in libraries; do we inherently listen more intently? Their musings turned to action when Nicholas Shaffer, a student library assistant, mentioned wanting to combine workshops with sound performances. With funding by SBInc, Library Sounds was born.

Beginning on March 1, Library Sounds kicks off three workshops and performances with Jed Speare,  followed by Shawn Greenlee on March 8 and Angela Sawyer + Vic Rawlings on March 29. Read about the artists, and come see what happens: www.smfa.edu/calendar

And don’t worry, the library is still quiet.

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